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U.S. Copyright Law
Update
So
you want to use a radio for on-hold at your business???
Infringers!
Beware! Damages are going up.
In a vote for copyright owners,
Congress has just made it costlier for rights infringers. Under the
Digital Theft Deterrence and Copyright Damages Improvement Act of
1999 (Pub. L. 106-160), signed into law by the President December 9,
1999, the “normal” and “maximum” statutory damages were increased by
50%. Previously, the normal range of statutory damages was $500 -
$20,000 for each work infringed. Now the range is $750 - $30,000. The maximum for willful infringement, previously $100,000, is now
$150,000. There has been no increase in the minimum for “innocent”
infringement, which remains at $200.
The changes are effective
immediately. Therefore, plaintiffs bringing actions against
infringers on or after December 9th will be eligible for the new
range of statutory damages, no matter when the infringements
occurred.
Another portion of that legislation
directs the U.S. Sentencing Commission to adjust the sentencing
guidelines for criminal copyright infringement to ensure that
criminal penalties are sufficiently stringent and reflect the retail
value of the works that were infringed.
Here’s what the American Society of
Composers, Authors and Publishers (A.S.C.A.P.) says on their
website:
http://www.ascap.com/licensing/termsdefined.html#public
Public
Performance or Performance Rights
A public performance is one that
occurs “in a place open to the public or at any place where a
substantial number of persons outside of a normal circle of a family
and its social acquaintances is gathered.” A public performance also
occurs when the performance is transmitted by means of any device or
process (for example, via broadcast, telephone wire, or other means)
to the public. In order to perform a copyrighted work publicly, the
user must obtain performance rights from the copyright owner or his
representative.
I want to use
music-on-hold in my business. Do I need permission?
Yes. When you place a caller on hold
and transmit music via your telephone lines, this is a public
performance of the music. It is your responsibility to obtain
permission to perform ASCAP songs from ASCAP or directly from the
copyright owner. ASCAP represents tens of thousands of copyright
owners and millions of songs and an ASCAP license will give you the
right to perform them all. |